18+ // $10
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Official Website: www.selwynbirchwood.com
Selwyn Birchwood, Florida’s rising young blues fireball, is a guitar and lap-steel-playing bundle of pure energy. He delivers his original songs with a revival tent preacher’s fervor and a natural storyteller’s charisma made all the more impactful by his raw, unvarnished vocals. Birchwood plays high-octane blues – at once deeply rooted, funky and up-to-the-minute – with true passion and honest emotion. With his band feeding off his drive and exuberance, the striking 6’3” 29-year-old with his trademark Afro roams the stage (often barefoot), ripping out memorable guitar licks with ease. His ability to win over an audience – any audience – is proven night after night on the bandstand. With his warm, magnetic personality, Birchwood is as down-to-earth as his music is fun, thought-provoking and vital. His mission is to spread his music far and wide, to share his joy, to play his heart out, and to push the blues into the future. “There’s nothing I’d rather be doing than playing the blues,” he says. “And I try to convey that with every song and with every performance.”
In 2013, Birchwood catapulted from local hero to shooting star. He won the world-renowned International Blues Challenge, beating out 125 other bands from the U.S. and abroad. He also took home the Albert King Guitarist Of The Year Award. It wasn’t long before Alligator Records president Bruce Iglauer offered Birchwood a contract. His debut album, Don’t Call No Ambulance, is a fully realized vision of contemporary blues. Birchwood’s original songs range from raucous romps to hill country stomps, from searing, serious slow blues to modern blues rock. Between his uninhibited sense of fun and adventure and his serious-as-a-heart-attack musicianship, Don’t Call No Ambulance is a window into the future of the blues. “All originals and no filler,” he says of the album. “It’s that genuineness of emotion in the songs that people can hear.”
The Tampa Tribune says Birchwood plays with “power and precision reminiscent of blues guitar hero Buddy Guy. He is a gritty vocalist [who is] commanding with his axe.” According to Iglauer, Birchwood is the real deal. “Selwyn Birchwood is a terrific young blues talent with a huge future. He writes smart, infectious, fresh songs and delivers them with a warm, conversational vocal style and a fun-loving attitude. He’s a killer guitarist, switching between a regular six-string and lap steel. Live, he’s a ball of energy, interacting with the audience like they were in his living room. Selwyn is destined to be one of the next stars in the blues world.”
Birchwood, his father from Tobago, his mother from the UK, was born in 1985 in Orlando, Florida. He first grabbed a guitar at age 13 and soon became proficient at mimicking what he heard on the radio. But the popular grunge rock, hip-hop and metal of the 1990s didn’t move him, and he quickly grew bored. And then he heard Jimi Hendrix. “He was larger than life. What he did was mind-blowing. When I realized Hendrix was influenced by the blues, I found my path,” he says. By 17 he was deep into the blues, listening to Albert King, Freddie King, Albert Collins, Muddy Waters, Lightnin’ Hopkins and especially Buddy Guy. As luck would have it, just as Birchwood was discovering Guy, the blues master had a concert scheduled in Orlando. Birchwood was there, front and center. “I was floored,” he recalls. “I completely connected with the blues. I knew I had to make this music.”
As Selwyn’s guitar proficiency grew, a friend told him that his neighbor was a blues guitarist and had a band. The 19-year-old Selwyn went over to check it out and jam. The guitar-playing neighbor turned out to be the Texas-born blues legend Sonny Rhodes, who was instantly impressed with the enthusiastic young guitar slinger. Within one month’s time, Rhodes asked Birchwood to pack his bags and join him on the road. It was an incredible experience for Birchwood, as Rhodes took the youngster under his wing, not only teaching him guitar and lap steel, but also how to conduct business, how to run a band, how to reach an audience. “Sonny always said, ‘Play what’s in your heart.’ I’ve never lost sight of that,” says Birchwood.
Rhodes insisted Birchwood go to college and always held the guitar spot in his band open for Selwyn whenever he was available. It was a win-win situation, as Birchwood – through hard work and scholarships – received his MBA from The University of Tampa. “I challenged myself to get that degree,” Birchwood says. “These days, it’s not good enough to just be a good player.” Combining the musical lessons learned from Rhodes and his business acumen, Birchwood, now living in Tampa, formed the current version of The Selwyn Birchwood Band in 2010. The band, with the same members still together today, features veteran musicians older than Selwyn, testifying to Selwyn’s musical chops and his leadership skills. On stage, they play off each other with ease, feeding each other energy, sharing the fun with the audience.
In 2011 the self-released FL Boy helped the band land gigs outside of their Tampa home, where they were becoming local heroes. Birchwood and his band won their way to spots at the 2012 and 2013 International Blues Challenges in Memphis. After taking ninth place in 2012, they came back determined the next year, taking first place. Alligator Records president Bruce Iglauer was sitting at the judges table at the time. “I saw Selwyn’s potential in 2012. He absolutely deserved to win in 2013,” he says. The victory opened more doors for Birchwood, increased his exposure and helped the band land a deal with Intrepid Artists booking agency, which led to more and better gigs.
The Selwyn Birchwood Band has been touring non-stop since winning the IBC. The band has performed at festivals including The Mississippi Valley Blues Festival, Springing The Blues Festival, The Tampa Bay Blues Festival, The North Atlantic Blues Festival, The King Biscuit Blues Festival as well as on The Legendary Rhythm & Blues Cruise. Birchwood has opened for major blues stars including Robert Cray and Buddy Guy and has shared the stage with another friend and teacher, Joe Louis Walker (who guests on Don’t Call No Ambulance’s The River Turned Red). He recently had the opportunity, when performing in San Francisco, to bring his friend and mentor Sonny Rhodes on stage to sit in with his band. It was a moment Birchwood will never forget. “He did so much for me; it was a real honor to return the favor, if only a little.”
With Don’t Call No Ambulance, Selwyn Birchwood steps onto the world stage, bringing a new wave of blues to a new generation of blues fans. “If I can play my music, travel the world, bring happiness to people, then I’m blessed and happy,” he says. “It’s like Sonny always told me, ‘If you follow your heart, you’ll always get what you want.’”
Ben Prestage’s musical background began before he was born… even before his parents were born. Ben’s great-grandmother was a Vaudeville musican who toured with Al Jolson and also participated in medicine shows. Her daughter was a Boogie-Woogie pianist and painter who used to play for Ben when he was coming up. On the other side of the family tree, his grandfather, who was a Mississippi sharecropper turned Ben onto the sounds and culture of Mississippi and Blues in general.
Ben’s interesting approach to instrumentation, (fingerstyle guitar, harmonica, banjo, lap-steel, fiddle, resonator guitar, foot-drums, vocals, and his award-winning original songwriting (recipient of “The Most Unique Performer” at “The Song- writers’ Showcase of America”) has earned him invitations to perform across North America, Europe, and as far as North Africa. All awards aside, he has proven himself, through his live performances, to be the future of American Blues, Roots Music, Americana and is one of today’s most talented outsider.
Nocturnal Resonance By: Johnny Debt
Johnny Debt’s, one-bum-band, is the product of a history studying, dead-end job worshipping, heartbreak-loving, semi-sober, down-and-out-country-boy.
The,”Florida-Balladeer” hails from Indiantown, FL. Johnny, eases his pain by writing about his personal hardships and his love for the crazy state of Florida. His music is steeped in the, one-man-band, tradition of his big-brother, Ben Prestage. Johnny began touring the world with the Prestage Brothers as a multi-instrumentalist and songwriter in 2015.
Debt, has written over 100 original songs over the past two years, and is currently wrapping up the Prestage Brothers debut album, and his debut solo album, “Guilty” will be released summer 2017.